Wednesday, February 13, 2013
Dried Apples
I'm sitting at my desk at school trying to grade papers when my stomach growls. Sometimes I bring a snack when I know I'm staying late, but all I have in my desk drawer is a ziploc bag of dried apples. I forgot I had them. My grandmother sent them home with me during Christmas break. They're not much to look at if you've never seen homemade dried apples. Tannish-brown, shriveled and hard with the chewing consistency of leather. I eat them slow, one curled sliver at a time. As I hold each one in my mouth, they begin to soften and release their tart sweetness. And each slice tastes slightly different. The darker dried pieces have an after finish of molasses, while the lighter colors taste more like their former selves, fresh off the trees of what remained of my grandfather's orchard and its fence-straddling descendants. I stop reading an essay to walk down into the hay field where they grew, look for the apples on the ground that hadn't been eaten by the deer the night before. How many have I eaten, I thought, over the years? I see my grandmother in the upstairs room of her house, leaning out the window to set screens of fresh apples slices on the tin roof of the back porch, fretting if the yellow jackets started swarming around them. When all was canned or made into pies, she never let what she picked go to waste. So as I sit at my desk letting each slice of dried apple soften in my mouth, I can't help but think of my grandmother's hands and the care she took in making them, so, five months later, I can have something to chew on.
Thursday, July 5, 2012
Reading at City Lights in Sylva
The literary Journal Pine Mountain Sand & Gravel is having a contributor reading on Friday August 3rd, 2012 at City Lights Bookstore in Sylva, NC, and I am gracious to be part of the reading lineup. Other writers speaking include Jennifer Barton, Pauletta Hansel, Brenda Kay Ledford, Dominique Traverse Locke, Chrissie Anderson Peters, Elizabeth Swann, and Dana Wildsmith.
It's been years since I've visited City Lights, and I've never read there before, so I'm excited but also a little nervous. I don't know why, I've read my poetry in front of audiences many times, but perhaps its because there are so many talented writers joining me I wonder how the audience will see me. I'm also the only guy reading in the lineup, but that's not necessarily a bad thing. I believe Ernest Hemingway once said that all male writers were in competition with one another, though I've never been challenged to a boxing match. Anyway, I think it will be a great reading as there are so many diverse and talented writers in the lineup.
Many thanks to Pauletta Hansel for her hand in organizing this reading. If anyone is in the area Friday, August 3rd, you should come check it out. Below is a link to the bookstore's website. Hope to see you there!
City Lights Bookstore
It's been years since I've visited City Lights, and I've never read there before, so I'm excited but also a little nervous. I don't know why, I've read my poetry in front of audiences many times, but perhaps its because there are so many talented writers joining me I wonder how the audience will see me. I'm also the only guy reading in the lineup, but that's not necessarily a bad thing. I believe Ernest Hemingway once said that all male writers were in competition with one another, though I've never been challenged to a boxing match. Anyway, I think it will be a great reading as there are so many diverse and talented writers in the lineup.
Many thanks to Pauletta Hansel for her hand in organizing this reading. If anyone is in the area Friday, August 3rd, you should come check it out. Below is a link to the bookstore's website. Hope to see you there!
City Lights Bookstore
Labels:
featured writers,
regional events,
SAWC,
writing
Thursday, March 15, 2012
Quotes from Carl Sandburg
I came across these quotes while looking through some old college notebooks. Sandburg had a way turning a phrase that is at the same time both absurd and astute.
"The man who knows everything has fleas in each ear and they look up the answers."
-- from Sandburg's Fables, Foibles, and Foobles
"What is shame? Shame is the feeling you have when you agree with the woman who loves you that you are the man she thinks you are...."
-- from Harry Golden's Carl Sandburg
"Truth consists of paradoxes and a paradox is two facts that stand on opposite hilltops and across the intervening valley call each other liars."
-- from Harry Golden's Carl Sandburg
"A celebrity is a fellow who eats celery with celerity."
-- from Harry Golden's Carl Sandburg
"Fame is a figment of a pigment. It comes and goes. It changes with every generation. There never were two fames alike. One fame is precious and luminous; another is a bubble of a bauble."
-- from Harry Golden's Carl Sandburg
"Here is the difference between Dante, Milton, and me. They wrote about hell and never saw the place. I wrote about Chicago after looking the town over for years and years."
-- from Harry Golden's Carl Sandburg
"The man who knows everything has fleas in each ear and they look up the answers."
-- from Sandburg's Fables, Foibles, and Foobles
"What is shame? Shame is the feeling you have when you agree with the woman who loves you that you are the man she thinks you are...."
-- from Harry Golden's Carl Sandburg
"Truth consists of paradoxes and a paradox is two facts that stand on opposite hilltops and across the intervening valley call each other liars."
-- from Harry Golden's Carl Sandburg
"A celebrity is a fellow who eats celery with celerity."
-- from Harry Golden's Carl Sandburg
"Fame is a figment of a pigment. It comes and goes. It changes with every generation. There never were two fames alike. One fame is precious and luminous; another is a bubble of a bauble."
-- from Harry Golden's Carl Sandburg
"Here is the difference between Dante, Milton, and me. They wrote about hell and never saw the place. I wrote about Chicago after looking the town over for years and years."
-- from Harry Golden's Carl Sandburg
Wednesday, October 5, 2011
A poem by Jim Wayne Miller
Getting Together
Suddenly old friends are in the house. Laughter.
Separated years back, we've wandered around
lost in the American Funhouse. Together again,
what a crowd we are! The walls are angled
mirrors multiplying us many times over.
Each one of us sees the friend he knew
standing back of the one this friend has become,
and shyly, like an unacknowledged companion,
confused by all this familiarity, unseen by our friends,
stands the person we know we are. Laughter.
Moving through the crowd, I realize
I've gradually got used to walking around
in my life a huge elongated trunk and rippled face,
a bulging wrap-around brow, moving on stumpy legs,
my belt just above my shoetops, my chin
riding level with my fly. I have forgotten parts
of myself, my ears lie curled like lettuce leaves,
my hands grow right out of my shoulders,
no wrists or arms or elbows in between.
Glancing past familiar strangers, I try
to hold out a hand to someone who holds out a hand.
Laughter! We hold back all but the little horrors.
from The Mountains Have Come Closer. Boone: Appalachian Consortium Press, 1980.
Suddenly old friends are in the house. Laughter.
Separated years back, we've wandered around
lost in the American Funhouse. Together again,
what a crowd we are! The walls are angled
mirrors multiplying us many times over.
Each one of us sees the friend he knew
standing back of the one this friend has become,
and shyly, like an unacknowledged companion,
confused by all this familiarity, unseen by our friends,
stands the person we know we are. Laughter.
Moving through the crowd, I realize
I've gradually got used to walking around
in my life a huge elongated trunk and rippled face,
a bulging wrap-around brow, moving on stumpy legs,
my belt just above my shoetops, my chin
riding level with my fly. I have forgotten parts
of myself, my ears lie curled like lettuce leaves,
my hands grow right out of my shoulders,
no wrists or arms or elbows in between.
Glancing past familiar strangers, I try
to hold out a hand to someone who holds out a hand.
Laughter! We hold back all but the little horrors.
from The Mountains Have Come Closer. Boone: Appalachian Consortium Press, 1980.
Tuesday, August 23, 2011
Got Any Fries With that Shake?
I was sitting at my computer desk working on some lesson plans for the upcoming school year when I felt a little jittery inside, like I was on an airplane experiencing some turbulence. I turned to the window to see if maybe I just ate some bad barbecue and was feeling a little lightheaded. The Venetian blinds were rocking back and forth. I felt like little hiccups were undulating through my chest. Slightly alarmed, I got up and walked out into the hallway and continued listening. A couple of lockers faintly rattled. Is it going to get worse? Should I vacate the building? A few other teachers were meeting in a classroom when I barged in on them.
"Do you guys feel that?" Two of the teachers gave me funny looks like I was on something, but the third said, "You know I did feel a little tremor."
Little?! I thought. But it turned out he was once stationed in Okinawa, so he was used to earthquakes. Since Facebook is blocked at my school, I couldn't instantly check to see what other folks were saying. The US Geological Survey web site finally confirmed it. A 5.9 earthquake occurred at 37.975°N, 77.969°W, or roughly between Charlottesville, Richmond, and Fredericksburg, Virginia. The television reports so far that there is no major damage, but that people in DC and NYC have been evacuated from some buildings and subways. A little spooky, but I am relieved that no one is hurt.
Update: There has been a buzz for about an hour after Fox News (consider the source) reported that a police officer stated the Washington Monument was leaning after the earthquake. Every social network has gone ape about it, even some people posting pictures, but no one of any authority has confirmed or denied it. Now, it's been a while since I've been to DC, but I do remember that the Washington Monument is tapered, by 1.3 degrees I believe, from the bottom to the top, so from almost any angle one looks it will seem to tilt. Surely some geometry math-type people out there can confirm this and end this shoot-from-the-hip editorial pseudo-journalistic rumor. "Fox News: when there's nothing real to report, make something up (or quote an analyst and make him/her out to be an expert)!"
"Do you guys feel that?" Two of the teachers gave me funny looks like I was on something, but the third said, "You know I did feel a little tremor."
Little?! I thought. But it turned out he was once stationed in Okinawa, so he was used to earthquakes. Since Facebook is blocked at my school, I couldn't instantly check to see what other folks were saying. The US Geological Survey web site finally confirmed it. A 5.9 earthquake occurred at 37.975°N, 77.969°W, or roughly between Charlottesville, Richmond, and Fredericksburg, Virginia. The television reports so far that there is no major damage, but that people in DC and NYC have been evacuated from some buildings and subways. A little spooky, but I am relieved that no one is hurt.
Update: There has been a buzz for about an hour after Fox News (consider the source) reported that a police officer stated the Washington Monument was leaning after the earthquake. Every social network has gone ape about it, even some people posting pictures, but no one of any authority has confirmed or denied it. Now, it's been a while since I've been to DC, but I do remember that the Washington Monument is tapered, by 1.3 degrees I believe, from the bottom to the top, so from almost any angle one looks it will seem to tilt. Surely some geometry math-type people out there can confirm this and end this shoot-from-the-hip editorial pseudo-journalistic rumor. "Fox News: when there's nothing real to report, make something up (or quote an analyst and make him/her out to be an expert)!"
Labels:
environment,
life in general,
nature,
politics
Monday, June 6, 2011
The Sting
One sunny afternoon last week I sent my two children out on the back deck to play with their toys for a little while while I washed dishes and watched them from the window. It was one of those rare moments when my eight-year-old daughter and four-year-old son were both playing nicely, and I enjoyed watching them. Every now and then they had to run down and grab a toy that had fallen through the rails of the deck. I was scrubbing a pot when I heard a horrendous scream, followed by my daughter yelling, "Daddy!"Well, I just knew my daughter had done something mean and my son was running in to tattle on her, until I recognized the pitch of my son's crying as a "pain" cry, not "I got my feelings hurt" cry (There's a difference, and parents out there know what I'm talking about!). My daughter said there were a bunch of flies buzzing around under the deck and he started crying and swatting at them. She yanked him away and pushed him to the back door, she said. I looked at his lip and noticed a white spot encircling a small red dot. A bee sting. I hollered for my wife, who immediately gave him a shot of both children's Tylenol and Benadryl while I investigated.
More precisely, it was a Yellow Jacket. The nest, about the size of a softball, was right under the deck where my kids were playing. I tried looking for an angle so I could squirt the little devils with my wasp and hornet spray, but it was under the low end of the deck. It would require me to climb under it to get at them, and I wasn't about to be trapped under there squirting spray and them swarming all around me. I then remembered what my dad once did.
When my sister was four she got stung several times by a hornet's nest that was built under a piece of playground equipment in our neighborhood, one of those old animal rockers on the giant spring. I remember her rocking back and forth and crying as they swarmed around her. My father, being an aficionado and master of fire as a means to solve all pest problems (you should see him work on voles), made a torch out of old dust rags, then doused it in gasoline. He waited until dark when all the hornets returned to the nest and them ambushed them. I was told to stay in the car, but I remember an unknowing neighbor coming out on their front porch and yelling at my dad, wondering if he was an arsonist setting fire to the playground. No, just teaching them "damn bees" not to mess with his little girl.
I made my torch with a bamboo stick and an old towel, then liberally sprayed it with WD40 (less explosive and lower combustion temperature, I thought) and waited until dusk. My wife's chief concern was that I was going to set the wooden deck on fire, so I assured her by stretching the garden hose around and having an extra bucket of water to put out the torch. The kids watched from the kitchen window, my son's upper lip swollen and puffy like one of the cast members of Cats. Boy, those yellow jackets didn't know what was going on! Their little wings were just singeing right off as they dropped to the ground. The few that initially got away tried attacking the torch, flying into it like moths to a flame, literally. When I saw charred wasp paper falling from under the deck, I decided my job was done. I then shot the deck for a few minutes with the water hose.
My son, thank goodness, was not allergic. After a few hours the swelling went down, and we kept asking him to breath deeply for us just in case he had an asthmatic reaction. And just to let you know, I don't normally derive pleasure from torturing animals by setting them on fire. But when it comes to my family, I will avenge!*
* This is where my wife would roll her eyes and give me the "You've got to be kidding" look. I would then have to refer to the time I saved her from the grub-eating skunk, but that's another story.
Tuesday, April 12, 2011
Television Show's Depiction of Kentucky Un"Justified"
Though I'm not from Eastern Kentucky, I've visited and passed through enough times that I was interested in seeing how FX's new show Justified portrayed the area and its people. I felt like I was watching an episode of The Dukes of Hazzard meets The Rifleman. Though filmed in Western Pennsylvania rather than the scrub hills of southern California, it still has that flavor of Appalachia run through a Hollywood filter: the stubborn, drunken, "aw, shucks" drawling hillbilly vs. the savvy, smug outsiders. You might as well brew a pot of raspberry truffle coffee with Maker's Mark; that's about the taste it left in my mouth.
Does it make for good television? I suppose. The storyline is well-written enough. It's about as accurate to Kentucky, though, as any wild-west trope was for 1950s television. No, you won't see tumbleweeds blowing down Main Street, nor will you see people sitting around a moonshine still listening to bluegrass music and waiting to fill their mason jar (we keep our stills hidden pretty good). So, no offense to fans of the show, but I hope that people aren't watching it and thinking, "Those Appalachians are crazy." Try watching an episode of Jersey Shore and see if you can say the same thing about The Garden State. I would hope not every resident acted like Snooki or The Situation.
Thursday, March 24, 2011
A Poem by Kevin Young
I took my Poets & Writers Club to Lenoir Rhyne University last month on a field trip to tour the campus and see a poetry reading by Kevin Young. What a lively performance! My high school students were much more engrossed in Young's choice of topic and style than even when we saw W.S. Merwin (the U.S. Poet Laureate) last semester. I now have a new favorite.
"Ode to Chicken"
You are everything
to me. Frog legs,
rattlesnake, almost any
thing I put my mouth to
reminds me of you.
Folks always try
getting you to act
like you someone else --
nuggets, or tenders, fingers
you don't have -- but even
your unmanicured feet
taste sweet. Too loud
in the yard, segregated
dark & light, you are
like a day self-contained --
your sunset skin puckers
like a kiss. Let others
put on airs -- pigs graduate
to pork, bread
become toast, even beef
was once just bull
before it got them degrees --
but, even dead,
you keep your name
& head. You can make
anything of yourself,
you know -- but prefer
to wake me early
in the cold, fix me breakfast
& dinner too, leave me
to fly for you.
from Dear Darkness (Alfred A. Knopf, 2008)
"Ode to Chicken"
You are everything
to me. Frog legs,
rattlesnake, almost any
thing I put my mouth to
reminds me of you.
Folks always try
getting you to act
like you someone else --
nuggets, or tenders, fingers
you don't have -- but even
your unmanicured feet
taste sweet. Too loud
in the yard, segregated
dark & light, you are
like a day self-contained --
your sunset skin puckers
like a kiss. Let others
put on airs -- pigs graduate
to pork, bread
become toast, even beef
was once just bull
before it got them degrees --
but, even dead,
you keep your name
& head. You can make
anything of yourself,
you know -- but prefer
to wake me early
in the cold, fix me breakfast
& dinner too, leave me
to fly for you.
from Dear Darkness (Alfred A. Knopf, 2008)
Friday, March 18, 2011
Mightier Than the Sword, But Still Dependant on Who Wields It
Quill, n. An implement of torture yielded by a goose and commonly wielded by an ass. This use of the quill is now obsolete, but its modern equivalent, the steel pen, is wielded by the same everlasting Presence.
Ink, n. A villanous compound of tanno-gallate of iron, gum-arabic and water, chiefly used to facilitate the infection of idiocy and promote intellectual crime .... most generally and acceptably employed as a mortar to bind together the stones in an edifice of fame, and as a whitewash to conceal afterward the rascal quality of the material.
from Ambrose Bierce's The Devil's Dictionary
Ink, n. A villanous compound of tanno-gallate of iron, gum-arabic and water, chiefly used to facilitate the infection of idiocy and promote intellectual crime .... most generally and acceptably employed as a mortar to bind together the stones in an edifice of fame, and as a whitewash to conceal afterward the rascal quality of the material.
from Ambrose Bierce's The Devil's Dictionary
Tuesday, January 18, 2011
Toast on a Heel

My wife prides herself in speaking properly, being an elementary school librarian and teacher. I also make it a point to speak clearly and correctly, especially when teaching. However, I am a firm believer in "code-switching," the ability to speak appropriately depending on the social situation. When I'm not at work, or giving a reading or presentation, I allow my speech to relax and fall back on the Southwestern Virginia dialect I grew up on. My wife notices it even more when we drive up to Woodlawn, Virginia, to visit my parents. Though she won't admit it, my wife has a bit of her own Burke County, NC, dialect when she's at home. I thought I caught her the other day using it, but was humorously mistaken.
We were with her parents one weekend, when talk turned to breakfast. I already knew she didn't like eggs, but when she said she didn't like making "toast on a heel," I thought she meant "hill," because she pronounced it more like "heeyuhl."
"What do mean? Do you think it toasts differently at higher elevations? Are you afraid it's going to slide off your plate and roll to the bottom?" I asked. She just gave me that look she normally does when I make completely no sense, which is quite often sometimes. "You said you didn't like making toast on a 'heeyuhl.'"
"No, I said 'heel.'" I then immediately got what she meant, but just to be funny I kept yanking her chain.
"Fill in the blank for me -- 'Jack and Jill went up the _______.'" I swear she said it the same way at first, then corrected herself when she realized I was making fun of her.
To be fair, she always teases me whenever I talk about "strawburries" and "blackburries," or when I say I have a load of clothes in the "warsh," so I can't really tease her too much about it, but the running joke continues.
By the way, I like eating toast on a "heeyuhl," but not on a "heel." Those end pieces always taste like the plastic bag they came in to me.
Labels:
Appalachian culture,
family,
food,
humor,
life in general
Wednesday, December 22, 2010
A Poem by Charles Wright
Christmas East of the Blue Ridge
So autumn comes to an end with these few wet sad stains
Stuck to the landscape,
-----------------------December dark
Running its hands through the lank hair of late afternoon,
Little tongues of the rain holding forth
--------------------------------------under the eaves,
Such wash, such watery words...
So autumn comes to this end,
And winter's vocabulary, downsized and distanced,
Drop by drop
Captures the conversation with its monosyllabic gutturals
And tin music,
---------------gravelly consonants, scratched vowels.
Soon the came drivers will light up their fires, soon the stars
Will start on their brief dip down from the back of heaven,
Down to the desert's dispensation
And night reaches, the gall and first birth,
The second only one word from now,
--------------------------------one word and its death from right now.
Meanwhile, in Charlottesville, the half-moon
Hums like a Hottentot
----------------------high over Monticello,
Clouds dishevel and rag out,
The alphabet of our discontent
Keeps on with its lettering,
-------------------------------gold on the black walls of our hearts...
from Locales: Poems from the Fellowship of Southern Writers, edited by Fred Chappell
So autumn comes to an end with these few wet sad stains
Stuck to the landscape,
-----------------------December dark
Running its hands through the lank hair of late afternoon,
Little tongues of the rain holding forth
--------------------------------------under the eaves,
Such wash, such watery words...
So autumn comes to this end,
And winter's vocabulary, downsized and distanced,
Drop by drop
Captures the conversation with its monosyllabic gutturals
And tin music,
---------------gravelly consonants, scratched vowels.
Soon the came drivers will light up their fires, soon the stars
Will start on their brief dip down from the back of heaven,
Down to the desert's dispensation
And night reaches, the gall and first birth,
The second only one word from now,
--------------------------------one word and its death from right now.
Meanwhile, in Charlottesville, the half-moon
Hums like a Hottentot
----------------------high over Monticello,
Clouds dishevel and rag out,
The alphabet of our discontent
Keeps on with its lettering,
-------------------------------gold on the black walls of our hearts...
from Locales: Poems from the Fellowship of Southern Writers, edited by Fred Chappell
Tuesday, November 23, 2010
"Daddy, He's on My Side Again!"

“Daddy, he’s on my side again!” my sister would say as I inched my finger closer to the back seat stitching that designated the line that we were not to cross.
“No I’m not,” I would say teasingly, wiggling my finger to within a millimeter of the line.
My dad would groan and grip the steering wheel a little tighter. “If you two don’t stop fighting, I’m turning this car around and going home, and we’ll never go to Disney World again!”
“No I’m not,” I would say teasingly, wiggling my finger to within a millimeter of the line.
My dad would groan and grip the steering wheel a little tighter. “If you two don’t stop fighting, I’m turning this car around and going home, and we’ll never go to Disney World again!”
"I'm not fighting, she started it!" I would say. It's a wonder my dad didn't turn the car around. We didn't deserve those Mickey Mouse ears. Later, I think Dad pacified us with buying us each one of those Yes & No Invisible Ink Game books he probably picked up at a gas station.
This morning I read the headlines that fighting broke out between North and South Korea on an island near their disputed border. Though I am by no means making light of this situation, as casualties on both sides were suffered, I can’t help but be reminded of how two siblings taunt and fight with each other when they aren’t getting along.
Pyongyang, a high military commander of the North, warned the South to stop their military drills on the island of Yeonpyeong. This island sits on the edge of disputed waters. “Don’t taunt us!” he seemed to be saying.
What does South Korea do? “You can’t tell us what to do!” Not only did they disregard the North’s commandment, but they fired artillery into disputed waters. Though far from the shores of North Korea, the South basically stuck their thumbs in their ears, wiggled their hands, and gave the North a raspberry. “Nyeh, nyeh, nyeh-nyeh-nyeh!”
Well, that infuriated the North, so they decided to wipe the smart-alecky smirk off South Korea’s face by throwing a sucker punch. The South got back on their feet and the fight ensued – for an hour! There hasn’t been fighting like this since the end of the Korean War.
When it was all over, the news reported casualties on both sides, though it sounds like the North got roughed up a little more. They’re still running their mouth, though, saying they’ll do it again if the South comes even within 0.001 millimeter of their border. “Yeah, try it again, I dare you!”
The problem is, if the North and South are squabbling siblings, who’s going to turn the car around and not take them to Disney World? “Daddy, he’s touching me again!” I sure hope they don’t come running to Uncle Sam for help. We’ve been Daddy to enough countries who haven’t been playing fair lately (Iraq, Afghanistan, Iran) that I don’t think there are enough corners in the world to set some of these red-headed step children in “Time Out.” And there are only so many times you can “warm” a child’s rear end before they get used to the spanking.
This morning I read the headlines that fighting broke out between North and South Korea on an island near their disputed border. Though I am by no means making light of this situation, as casualties on both sides were suffered, I can’t help but be reminded of how two siblings taunt and fight with each other when they aren’t getting along.
Pyongyang, a high military commander of the North, warned the South to stop their military drills on the island of Yeonpyeong. This island sits on the edge of disputed waters. “Don’t taunt us!” he seemed to be saying.
What does South Korea do? “You can’t tell us what to do!” Not only did they disregard the North’s commandment, but they fired artillery into disputed waters. Though far from the shores of North Korea, the South basically stuck their thumbs in their ears, wiggled their hands, and gave the North a raspberry. “Nyeh, nyeh, nyeh-nyeh-nyeh!”
Well, that infuriated the North, so they decided to wipe the smart-alecky smirk off South Korea’s face by throwing a sucker punch. The South got back on their feet and the fight ensued – for an hour! There hasn’t been fighting like this since the end of the Korean War.
When it was all over, the news reported casualties on both sides, though it sounds like the North got roughed up a little more. They’re still running their mouth, though, saying they’ll do it again if the South comes even within 0.001 millimeter of their border. “Yeah, try it again, I dare you!”
The problem is, if the North and South are squabbling siblings, who’s going to turn the car around and not take them to Disney World? “Daddy, he’s touching me again!” I sure hope they don’t come running to Uncle Sam for help. We’ve been Daddy to enough countries who haven’t been playing fair lately (Iraq, Afghanistan, Iran) that I don’t think there are enough corners in the world to set some of these red-headed step children in “Time Out.” And there are only so many times you can “warm” a child’s rear end before they get used to the spanking.
from “North, South Korea exchange fire; 2 marines killed” by HYUNG-JIN KIM and KWANG-TAE KIM, Associated Press, November 23, 2010
Friday, November 5, 2010
A Bone To Pick With Blake Shelton
It's not an uncommon topic in Country music. Heck, you could say Country music helped perpetuate the image. Marty Stuart sang "Hillbilly Rock." Dwight Yokum sang about "guitars, cadillacs, hillbilly music." Go back to the early days of American music in the 1920s and 1930s and you will see that Country music was originally called Hillbilly music. Carrying on the tradition, Blake Shelton's "Hillbilly Bone," brings the old tropes back to life.
Don't get me wrong, I have nothing against Blake Shelton. This song, however, has more to do in my opinion with just being an all-aroung good ol' redneck than being a hillbilly. Perhaps the term "redneck" has been overused in country music lately. Trucks and mud, hollerin' Yeehaw!, grits, and firearms -- check. But is this an original song? Hardly. It starts out with a contrast of "I got a friend in New York City/ He's never heard of Conway Twitty." Hank Williams, Jr. used that already in "A Country Boy Can Survive" -- "I got a friend in New York City/ He never calls me by my name, just Hillbilly."
You might think I'm not a fan of country music, but Blake Shelton's song is an example of everything that's wrong with country music these days. Trace Adkins, who brought us such "gems" as "Honky Tonk Badonkadonk," joins Shelton in the chorus of his song, "Hillbilly bone -da-bone-da-bone -bone." Now, Trace Adkins could kick my ass for sure and not raise his boot very high, but I don't think Trace Adkins has put out anything worthy to be called country music since his debut album "Dreamin' Out Loud."
Maybe I'm thinking too much about the poetics of a country song, when most folks want something to raise hell to or crank up on their radio on the way to work. But if I could play the guitar, I think I could write me some Country songs, and maybe do Hillbilly right for a change. But that's just me.
Don't get me wrong, I have nothing against Blake Shelton. This song, however, has more to do in my opinion with just being an all-aroung good ol' redneck than being a hillbilly. Perhaps the term "redneck" has been overused in country music lately. Trucks and mud, hollerin' Yeehaw!, grits, and firearms -- check. But is this an original song? Hardly. It starts out with a contrast of "I got a friend in New York City/ He's never heard of Conway Twitty." Hank Williams, Jr. used that already in "A Country Boy Can Survive" -- "I got a friend in New York City/ He never calls me by my name, just Hillbilly."
You might think I'm not a fan of country music, but Blake Shelton's song is an example of everything that's wrong with country music these days. Trace Adkins, who brought us such "gems" as "Honky Tonk Badonkadonk," joins Shelton in the chorus of his song, "Hillbilly bone -da-bone-da-bone -bone." Now, Trace Adkins could kick my ass for sure and not raise his boot very high, but I don't think Trace Adkins has put out anything worthy to be called country music since his debut album "Dreamin' Out Loud."
Maybe I'm thinking too much about the poetics of a country song, when most folks want something to raise hell to or crank up on their radio on the way to work. But if I could play the guitar, I think I could write me some Country songs, and maybe do Hillbilly right for a change. But that's just me.
Monday, November 1, 2010
More Emily Dickinson Parodies
It's that time of year again, as my American Lit. students study Emily Dickinson. Here is another round of imitation and parodies of the great poet recluse. There are the usual, but great, standbys of fart humor, but also some newly-delved topics of gaming "noobs" and the Youtube sensation Ray William Johnson. Enjoy (or not)!
My life sucks, and here's why
I sit in my room
and make myself cry.
My poems are sad and full of despair
It's too bad
No one cares.
I live by myself
with my 40 cats
and we all indulge
in their tuna packs.
I live alone
I have no friends
and this is how
my story ends.
--Caitlin, Logan, and Jhamil
Heart! We will destroy him!
You and I -- tonight!
You will bring the shovel for the grave --
We will be free by morning light!
When we are done, we need to flee --
Or else on a noose we will be.
Haste! Time is running short.
We will soon forget him.
-- Kasey, Angel, and Caleb
I heard a guy Fart When I Died
The smell in the room
was like the smell in the air
between the passes of gasses.
The noses around -- had pinched them closed
And breaths, were being held
for that last rip -- when the big one
was smelled -- in the room --
I willed my nostrils -- closed them up --
How powerful that smell be
Fresh air -- how I longed for --
and I loathed that darn guy.
And shoo -- loud and rumbling fast --
between the stench and me
And then I breathed my last breath --
--as I cried sweet liberty!
-- Garrett, Brandon, and Mary
This is my letter to the Noobs
Who don't play MLG --
Those worthless noobs and scrubs--
Those not as good as me.
My skills, they are the greatest
You will ever see--
For my skills in Halo--
They come from MLG!
--Matt W.
Tribute to Ray William Johnson
The creepy guy-- stares back at us --
with a look that wants too much --
And a deer that's never felt the run
of a nice -- failure -- Drunk
He speaks with lips that make us laugh
But never have ended squaids
And talks with careful seriousness
that has never been dissed
The Youtube man is straight and forward
Great enough to feel
But who is to say, on the other side,
He's not the one who's trollin'?
Ray William is a wonderful thing
That sometimes shows Fatty Spins
But while we try not to crack
The two camels is what breaks us
-- Andrea and Aimee
My life sucks, and here's why
I sit in my room
and make myself cry.
My poems are sad and full of despair
It's too bad
No one cares.
I live by myself
with my 40 cats
and we all indulge
in their tuna packs.
I live alone
I have no friends
and this is how
my story ends.
--Caitlin, Logan, and Jhamil
Heart! We will destroy him!
You and I -- tonight!
You will bring the shovel for the grave --
We will be free by morning light!
When we are done, we need to flee --
Or else on a noose we will be.
Haste! Time is running short.
We will soon forget him.
-- Kasey, Angel, and Caleb
I heard a guy Fart When I Died
The smell in the room
was like the smell in the air
between the passes of gasses.
The noses around -- had pinched them closed
And breaths, were being held
for that last rip -- when the big one
was smelled -- in the room --
I willed my nostrils -- closed them up --
How powerful that smell be
Fresh air -- how I longed for --
and I loathed that darn guy.
And shoo -- loud and rumbling fast --
between the stench and me
And then I breathed my last breath --
--as I cried sweet liberty!
-- Garrett, Brandon, and Mary
This is my letter to the Noobs
Who don't play MLG --
Those worthless noobs and scrubs--
Those not as good as me.
My skills, they are the greatest
You will ever see--
For my skills in Halo--
They come from MLG!
--Matt W.
Tribute to Ray William Johnson
The creepy guy-- stares back at us --
with a look that wants too much --
And a deer that's never felt the run
of a nice -- failure -- Drunk
He speaks with lips that make us laugh
But never have ended squaids
And talks with careful seriousness
that has never been dissed
The Youtube man is straight and forward
Great enough to feel
But who is to say, on the other side,
He's not the one who's trollin'?
Ray William is a wonderful thing
That sometimes shows Fatty Spins
But while we try not to crack
The two camels is what breaks us
-- Andrea and Aimee
Sunday, October 10, 2010
A Poem by David T. Manning
Hankie
That fresh white linen hankie
your wife pressed & folded
with such love fits nice
in your clean shirt pocket.
Then you hachoo!!
You blow & fold it neat.
You blow & fold, blow & fold,
blow & fold again -- then
you wad the damn thing up
into something useful, so
it's ready for that
water-cannon sneeze, for those
green giant ropes of snot
that rattle out of your skull
like log-chains over a F-150 tailgate.
Yes sir! That's a good big whitish
rag now you can roll a man-size
cold up in and stuff it
in the ass pocket of your Levis
until it's too wet to sit on.
from Detained by the Authorities (Pudding House Publications 2007)
That fresh white linen hankie
your wife pressed & folded
with such love fits nice
in your clean shirt pocket.
Then you hachoo!!
You blow & fold it neat.
You blow & fold, blow & fold,
blow & fold again -- then
you wad the damn thing up
into something useful, so
it's ready for that
water-cannon sneeze, for those
green giant ropes of snot
that rattle out of your skull
like log-chains over a F-150 tailgate.
Yes sir! That's a good big whitish
rag now you can roll a man-size
cold up in and stuff it
in the ass pocket of your Levis
until it's too wet to sit on.
from Detained by the Authorities (Pudding House Publications 2007)
Thursday, October 7, 2010
WV Governor Sues the EPA -- It Must Be Election Time
"West Virginia Gov. Joe Manchin (D) on Wednesday announced the state is suing the Environmental Protection Agency (EPA) over its crackdown on mountaintop-removal practices by the coal mining industry.
"Manchin, at a morning news conference at the state capitol, said the lawsuit had been in the works long before the death of Sen. Robert Byrd (D-W.Va.) — a staunch defender of the state's mining industry — in June, according to The Associated Press. Manchin spoke of Byrd’s legacy and pulled out a copy of the U.S. Constitution, as Byrd often did on the Senate floor, and quoted the 10th Amendment, which deals with states' powers, the AP reported."
"Manchin’s announcement comes as he finds himself in a dead heat with Republican John Raese for Byrd’s seat. Manchin’s troubles for that seat — despite his high approval rating as governor — have been used to illustrate the problem some Democrats are having in being linked to President Obama and national Democratic leaders. Raese has steadily improved in the head-to-head race, and edged ahead in a recent Rasmussen poll."
It must be election time. Is it just me, or does anybody else see the connection between West Virginia Governor Manchin's announcement to sue the EPA with his race against Raese for Sen. Byrd's seat in Congress? What was he thinking? -- "Here's a sure way to get those fence-sitting voters and fat cats to vote for me instead of voting Republican, attack the very organization that's looking out for the interests of the little man, the EPA." It's a shame that politicians use their power to promote themselves at the expense of everyone else. And so many folks (Republicans) are making the EPA out to be some organization that throws its weight around, sticking its nose where it doesn't belong. What about Big Coal? Hasn't he been doing that for over 70 years to the residents of West Virginia, Kentucky, and Virginia? How have they fared as a result?
"EPA Administrator Lisa Jackson said in a statement when they were released that the “people of Appalachia shouldn't have to choose between a clean, healthy environment in which to raise their families and the jobs they need to support them.”
It must be election time. The lines are being drawn -- and polarized. Republicans are swarming like buzzards around Obama and the Democrats, ready to swoop in for the kill. And it's not going to be a pretty sight. There won't be any winners in this election, I'm afraid. We're all going to lose.
Ralph Waldo Emerson said in his essay "Nature" that someone may own the land, but no one will ever own the landscape. It belongs to everyone who gazes upon it. That's not really true anymore, as coal companies are removing the landscape, the very horizon that Emerson said we needed. "The health of the eye demands a horizon," he said. So what's going to happen to us when that landscape is gone, and is replaced by valley fill, flat land not good for anything but scrub grass. We've got cheap energy, but we are living along a Martian landscape.
from "W.Va. Gov. Manchin sues EPA over mountaintop removal" By Darren Goode, in The Hill
"Manchin, at a morning news conference at the state capitol, said the lawsuit had been in the works long before the death of Sen. Robert Byrd (D-W.Va.) — a staunch defender of the state's mining industry — in June, according to The Associated Press. Manchin spoke of Byrd’s legacy and pulled out a copy of the U.S. Constitution, as Byrd often did on the Senate floor, and quoted the 10th Amendment, which deals with states' powers, the AP reported."
"Manchin’s announcement comes as he finds himself in a dead heat with Republican John Raese for Byrd’s seat. Manchin’s troubles for that seat — despite his high approval rating as governor — have been used to illustrate the problem some Democrats are having in being linked to President Obama and national Democratic leaders. Raese has steadily improved in the head-to-head race, and edged ahead in a recent Rasmussen poll."
It must be election time. Is it just me, or does anybody else see the connection between West Virginia Governor Manchin's announcement to sue the EPA with his race against Raese for Sen. Byrd's seat in Congress? What was he thinking? -- "Here's a sure way to get those fence-sitting voters and fat cats to vote for me instead of voting Republican, attack the very organization that's looking out for the interests of the little man, the EPA." It's a shame that politicians use their power to promote themselves at the expense of everyone else. And so many folks (Republicans) are making the EPA out to be some organization that throws its weight around, sticking its nose where it doesn't belong. What about Big Coal? Hasn't he been doing that for over 70 years to the residents of West Virginia, Kentucky, and Virginia? How have they fared as a result?
"EPA Administrator Lisa Jackson said in a statement when they were released that the “people of Appalachia shouldn't have to choose between a clean, healthy environment in which to raise their families and the jobs they need to support them.”
It must be election time. The lines are being drawn -- and polarized. Republicans are swarming like buzzards around Obama and the Democrats, ready to swoop in for the kill. And it's not going to be a pretty sight. There won't be any winners in this election, I'm afraid. We're all going to lose.
Ralph Waldo Emerson said in his essay "Nature" that someone may own the land, but no one will ever own the landscape. It belongs to everyone who gazes upon it. That's not really true anymore, as coal companies are removing the landscape, the very horizon that Emerson said we needed. "The health of the eye demands a horizon," he said. So what's going to happen to us when that landscape is gone, and is replaced by valley fill, flat land not good for anything but scrub grass. We've got cheap energy, but we are living along a Martian landscape.
from "W.Va. Gov. Manchin sues EPA over mountaintop removal" By Darren Goode, in The Hill
Labels:
Appalachian culture,
coal mining,
economy,
environment,
nature,
politics
Sunday, October 3, 2010
Dueling Frequencies

I took my family to Beech Mountain this weekend for Autumn at Oz, the one time of the year they re-open the 1970s theme park Land of Oz (see my previous blog entry on this). They had a great time, of course. My daughter dressed as Glinda the Good Witch and my son the Tin Man.
The weather was great. It was a clear, blue-sky day with not a cloud in site. We were about to leave when I decided to take a scenic drive around the north side of Beech Mountain (my wife would claim I took a wrong turn). I was listening to my usual radio station, WNCW 88.7, which always has a great program called "Going Across the Mountain" on Saturday afternoons, the best and longest bluegrass program you can find on the radio. I wasn't paying close attention to the music, though, as I was driving around looking for the way down, er... I mean looking around. The DJ came on the radio and announced "You are listening to 88.7 WMMT in Whitesburg, Kentucky...." I had one of those "What the?!" moments like I had heard it wrong, but I hadn't.
Here I was on top of Beech Mountain, North Carolina, listening to a radio station broadcasting from Whitesburg, Kentucky, where my good friend Wiley Quixote (Jim Webb) DJs. I was just there this past July on the radio myself (see previous post). By the time I stopped saying, "Cool!" over and over the frequency started switching between WNCW and WMMT to the point that my daughter started laughing. It was Alison Krauss and Union Station vs. Gary Stewart singing "She's Acting Single, and I'm Drinking Doubles."
I was told by my friend Jim Web that at one time many folks could listen to WMMT in NC, but when WNCW started broadcasting in 1989 their frequency overpowered all of the listening range for WMMT in NC. I guess at this altitude, and being on the north side of the mountain, there are still pockets that are shadowed and still within range.
"Hey, Honey! It's 'Dueling Frequencies!'" I laughed. My wife wasn't as impressed. It would've been really funny if Eric Weissburg had started picking against Arlo Guthrie or something like that.
The weather was great. It was a clear, blue-sky day with not a cloud in site. We were about to leave when I decided to take a scenic drive around the north side of Beech Mountain (my wife would claim I took a wrong turn). I was listening to my usual radio station, WNCW 88.7, which always has a great program called "Going Across the Mountain" on Saturday afternoons, the best and longest bluegrass program you can find on the radio. I wasn't paying close attention to the music, though, as I was driving around looking for the way down, er... I mean looking around. The DJ came on the radio and announced "You are listening to 88.7 WMMT in Whitesburg, Kentucky...." I had one of those "What the?!" moments like I had heard it wrong, but I hadn't.
Here I was on top of Beech Mountain, North Carolina, listening to a radio station broadcasting from Whitesburg, Kentucky, where my good friend Wiley Quixote (Jim Webb) DJs. I was just there this past July on the radio myself (see previous post). By the time I stopped saying, "Cool!" over and over the frequency started switching between WNCW and WMMT to the point that my daughter started laughing. It was Alison Krauss and Union Station vs. Gary Stewart singing "She's Acting Single, and I'm Drinking Doubles."
I was told by my friend Jim Web that at one time many folks could listen to WMMT in NC, but when WNCW started broadcasting in 1989 their frequency overpowered all of the listening range for WMMT in NC. I guess at this altitude, and being on the north side of the mountain, there are still pockets that are shadowed and still within range.
"Hey, Honey! It's 'Dueling Frequencies!'" I laughed. My wife wasn't as impressed. It would've been really funny if Eric Weissburg had started picking against Arlo Guthrie or something like that.
She wryly responded, "Let's just hope Jeb and Zeke don't jump out of the woods and see your 'purty' teeth."
"Jenny, we're on Beech Mountain. We're more likely to see Mr. Moneybags step out of his million-dollar chalet walking his Pomeranian on a Gucci dog leash. I'm more likely to be labelled 'deranged hillbilly' in this neighborhood!"
Labels:
Appalachian culture,
Hillbilly,
humor,
music,
radio
Tuesday, September 21, 2010
Bob Dylan, the Hillbilly
In an interview with Rolling Stone, John Mellencamp comments on directing Bob Dylan's video for "Political World."
"Bob said one thing over and over: 'Don't make me look stupid.' I said, 'We're in videos, we all look stupid. Who has a video where they don't look stupid? .... We get along well. He's a hillbilly. I laugh so hard when I'm with Bob. I call him 'Bob-aloo.' Bob does things his way, and so do I, and sometimes we pay an awful high price."
The term "Hillbilly" must be evolving in its usage. Mellancamp, born in Indiana, might not have seen many hills growing up, but Dylan was born in Minnesota, the same heartland region I would say as Mellencamp. Having left the hills of Appalachia or the Ozarks, the term Hillbilly has found new life. Clearly used in an affectionate manner, perhaps Mellencamp's use of "Hillbilly" is a generational thing, like calling Dylan "old fashioned" or an "old fart," or someone who's backwards or set in his ways. I think if I called my dad a Hillbilly, however, he'd wallop me with a Chardonay bottle!
from Rolling Stone September 2, 2010
"Bob said one thing over and over: 'Don't make me look stupid.' I said, 'We're in videos, we all look stupid. Who has a video where they don't look stupid? .... We get along well. He's a hillbilly. I laugh so hard when I'm with Bob. I call him 'Bob-aloo.' Bob does things his way, and so do I, and sometimes we pay an awful high price."
The term "Hillbilly" must be evolving in its usage. Mellancamp, born in Indiana, might not have seen many hills growing up, but Dylan was born in Minnesota, the same heartland region I would say as Mellencamp. Having left the hills of Appalachia or the Ozarks, the term Hillbilly has found new life. Clearly used in an affectionate manner, perhaps Mellencamp's use of "Hillbilly" is a generational thing, like calling Dylan "old fashioned" or an "old fart," or someone who's backwards or set in his ways. I think if I called my dad a Hillbilly, however, he'd wallop me with a Chardonay bottle!
from Rolling Stone September 2, 2010
Monday, September 20, 2010
What Makes It Taste Better -- Now Available!

For years I've been wanting to publish my own book of poetry, hoping that I would someday win a contest and get my foot in the door. I mean, how else do you do it? Having poems published in poetry and writing journals, I knew that someone out there thought my work was good. Many times over the years my writer friends and fellow SAWC members have nurtured and supported my work. This summer I said to myself, "What am I waiting for?"
I discovered a website that brings print-on-demand to the desktop -- Lulu.com. I have heard pros and cons about the website, but when I started looking around Lulu, I realized how simple it could be. As the chef in Ratatouille said "Anybody can cook," I'm here to say "Anybody can publish."
Maybe I'm destroying the mistique of publishing, that if anyone can do it, then there must be quite a bit of amateurish stuff out there. Maybe so, but it isn't easy either, let me say. There are many steps to the process, and a lot of trial and error, but it is feasable.
So, without further ado, I present my first poetry book collection What Makes It Taste Better. Some of my friends who have helped me in encouragements have been gracious enough to provide back-cover reviews:
"In David Wayne Hampton’s first collection of poems the world is always at summer, with somewhere nearby “the ploink, plunk, brunk of the water/ the high hat, pat-a-slap tap/ of silver.” He gives us the kind of food we want on a green summer day- from doughnuts to ham hocks to Cheerwine, to Moonpies- and good family stories to listen to while we munch. Don’t make the mistake of dismissing these poems as light, however: “it’s not the eureka moment/ but the long, slow continuing” through these poems of place that makes the reading of them as satisfying as an afternoon swim at summer camp. Hampton’s southern Appalachian world is light-filled, but within light dwells the possibility of all colors, including the darkest ones. “Don’t call us backward” one poem admonishes, “we walk in the same direction as you/ just not in such a hurry.” Don’t hurry through Hampton’s collection; you’ll be glad you lingered awhile.”
-Dana Wildsmith, Author of Back to Abnormal
"Clever parodying, curious and playful lines make WHAT MAKES IT TASTE BETTER verge on the educational and insightful, yet with humor, not pedanticism. Here I found out that the mullet haircut was once called the 'Carolina Waterfall' and that blackbirds and boogers have more than a little in common. The poems’ humor saves them, in that tongue-in-cheek way that disarms any resistance to their charms. David Hampton’s clever word-play with classical and modern themes reminds me of the work of the legendary Louise McNeill. This book made me laugh and cringe, sometimes in the same instant."
– Ron Houchin, author of Museum Crows
"In this wryly observant first collection, David Hampton gives us an insider's view of life in these post-millennium Appalachians. What makes it taste better? Humor which manages to be all at once ironic and compassionate. A sense of history, and of one's own place in it. Precision of language and the joy of its tang on your tongue."
-- Pauletta Hansel, author of Divining and First Person
-Dana Wildsmith, Author of Back to Abnormal
"Clever parodying, curious and playful lines make WHAT MAKES IT TASTE BETTER verge on the educational and insightful, yet with humor, not pedanticism. Here I found out that the mullet haircut was once called the 'Carolina Waterfall' and that blackbirds and boogers have more than a little in common. The poems’ humor saves them, in that tongue-in-cheek way that disarms any resistance to their charms. David Hampton’s clever word-play with classical and modern themes reminds me of the work of the legendary Louise McNeill. This book made me laugh and cringe, sometimes in the same instant."
– Ron Houchin, author of Museum Crows
"In this wryly observant first collection, David Hampton gives us an insider's view of life in these post-millennium Appalachians. What makes it taste better? Humor which manages to be all at once ironic and compassionate. A sense of history, and of one's own place in it. Precision of language and the joy of its tang on your tongue."
-- Pauletta Hansel, author of Divining and First Person
Thank you to all who supported me in this endeavor! And thank you to all who take a chance in purchasing a copy! I hope you enjoy it.
Sunday, September 19, 2010
A Trip to the Farmer's Market

I was trying to find the Thomas Wolfe House yesterday in Asheville on a family outing (my internal "man map" was off) when I turned off the exit for the WNC Farmer's Market. I decided to stop there instead, and I was glad I did.
This is the time of year in the early fall that farmer's markets get one last resurgence of business before the winter lull. I like the concept of farmer's markets. Why buy produce that shipped from California or by boat from another country when you can get fresher seasonal fruits and vegetables while at the same time supporting your community of local farmers? For many people, and some restaurants, farmers markets are a vital outlet for buying and eating local produce and other wares year round. For me, it had been a while.
Being near Hendersonville, NC, I immediately remembered that the apples were in season. The kids were hungry for a snack, so my daughter and I grabbed a peck bag and started browsing the different varieties. There were several I remembered from years ago when I used to work at a summer camp in Hendersonville during the summer and fall seasons, like Honey Crisp and Winesaps, but there were several varieties that I had never come across before.
For example, if you like Golden Delicious apples, try finding Ginger Golds. Smaller, but much sweeter with a thinner skin. There was another odd-looking apple that I had to try -- Sheepnoses. They had the skin texture of an old-timey pear my grandmother used to grow near her house, with an elongated shape. The flesh was a little dry, but sweet and, I swear, almost tasted like a pear. My kids went crazy over the Ginger Golds, especially my son who normally can't chew the peelings.
There was also a small bakery there that had a really good fried apple pie. Of course, there were pumpkins and gourds galore as well, some so big I thought my kids could have used them for canoes. All in all, it was a fortunate mistake to stop there, and for folks who have never been or not been in a while it is well worth a visit. I bought a whole bag of summer squash, tomatoes, sweet potatoes, and okra for $4. Can't beat that with a stick.
This is the time of year in the early fall that farmer's markets get one last resurgence of business before the winter lull. I like the concept of farmer's markets. Why buy produce that shipped from California or by boat from another country when you can get fresher seasonal fruits and vegetables while at the same time supporting your community of local farmers? For many people, and some restaurants, farmers markets are a vital outlet for buying and eating local produce and other wares year round. For me, it had been a while.
Being near Hendersonville, NC, I immediately remembered that the apples were in season. The kids were hungry for a snack, so my daughter and I grabbed a peck bag and started browsing the different varieties. There were several I remembered from years ago when I used to work at a summer camp in Hendersonville during the summer and fall seasons, like Honey Crisp and Winesaps, but there were several varieties that I had never come across before.
For example, if you like Golden Delicious apples, try finding Ginger Golds. Smaller, but much sweeter with a thinner skin. There was another odd-looking apple that I had to try -- Sheepnoses. They had the skin texture of an old-timey pear my grandmother used to grow near her house, with an elongated shape. The flesh was a little dry, but sweet and, I swear, almost tasted like a pear. My kids went crazy over the Ginger Golds, especially my son who normally can't chew the peelings.
There was also a small bakery there that had a really good fried apple pie. Of course, there were pumpkins and gourds galore as well, some so big I thought my kids could have used them for canoes. All in all, it was a fortunate mistake to stop there, and for folks who have never been or not been in a while it is well worth a visit. I bought a whole bag of summer squash, tomatoes, sweet potatoes, and okra for $4. Can't beat that with a stick.
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